- The musical score is sublime (jukebox 1 and jukebox 2)
- Best Number: Gajanana (entire song)
- Most Boring Number : Mohe Rang Do Lal, even Bajirao looks like he is going to fall asleep at any moment.
- Most relatable character : It has to be Priyanka Chopra’s Kashibai.
- Best Dressed : Kashibai, I loved her traditional Marathi outfits, from the nose-pins to the nine-yard sarees to the traditional khopa, or the braided bun.
- Character that defies Credulity: Mastani, she was drowning in a sea of fabric and seemed weighed down by the jewelry, especially the nose rings. You would die in Pune in summer (90s in shade, if you are lucky) if you wore all those layers. Also, her pedantic lectures about Ishq (romantic love) to her parents, Bajirao’s terrifying mother and Chattrapati Shahu defy both common sense and credulity.
- Dialog seems at times overwrought and overdone, see the point above.
- Hottest scene: Kashibai sneaking up on Bajirao in the bath. (around 0.56 in the Albela Sajan video)
- A paragraph about where Bajirao fits in the history (chronologically and in terms of importance) of India would have been useful either at the beginning and/or the end of the movie. A prologue and/or an epilogue, if you will.
- All in all, despite some missteps Sanjay Leela Bhansali manages to hit many high notes. The main love story is not as riveting as it could have been, I found it hard to root for Bajirao and Mastani. However the resulting fallout and conflict with orthodox religious hierarchy of Pune and Bajirao’s own family is believable and depressing familiar. Even today an interfaith match like Bajirao Mastani wouldn’t go down too well among most Indian families.
Musical Score : A
Dialog : B-
Overall : B +
I will expand on these points in my upcoming posts. Until then I leave you with a poster of Bajirao Mastani starring my kittehs. As always questions and comments are welcome.
By two_kittehs ( Picture by: two_kittehs)
After the energetic Gajanana and the visually decadent Deewani Mastani, two songs from Sanjay Leela Bhansali’s upcoming movie Bajirao Mastani, I was expecting a hat trick from SLB. However, the much hyped dance-off between the two female leads is a dud. It didn’t float my boat. Here in no particular order is a list of my critiques.
2. Whatever this dance is, it is not pinga. (pinga ghalene : to spin around)
3. Lame choreography is lame, mishmash of the dancing styles doesn’t quite gel.
6. Married Marathi women don’t put sindoor in the hair part. Research fail.
7. Where is the Gauri? Isn’t this supposed to be a Gauri celebration? Which is presumably why these women are dancing in the first place. This to me looks like a Gauri or Mangla-Gauri jagran or all nighter, which is primarily a huge sleepover party for women where they get together, gossip, sing songs, dance etc. This is usually an female affair, by women and for women, and men are not welcome.
8. Plaigarism alert, Bhansali needs to credit V. Shantaram.
9. Deepika Padukone and Priyanka Chopra have nothing on goddess Madhuri when it comes to dancing abilities.
10. Is it my imagination or does the pattern on this dance floor resemble the one in Chandramukhi’s parlor? SLB we expect better from you, stop being so repetitive.
Deepika and Priyanka pretending to put sindoor in their hair part in a still from Pinga (Credit :NDTV)